International Day of Indigenous Peoples: Naga woodcarver reflects on legacy

DIMAPUR — As the world commemorates International Day of the World’s Indigenous Peoples, a 72-year-old woodcarver in Nagaland reflects on the legacy of a craft intertwined with his heritage.

For generations, the art of wood carving has been more than just utilitarian craft for the Naga people — it is a visual language, telling stories of their spiritual beliefs, rituals, and cultural identity.

Yevto Shohe, a resident of Hakizhe village in Niuland district, learned the craft through observation, patiently absorbing the skills passed down through his family.

“Though I do not have a professional degree in arts and crafts, it was my curiosity that led me to discover my passion for woodwork,” he said, recalling how he discontinued studies at the age of 23 and started helping his father with his woodwork.

He said that he is probably the first mistry (master-craftsman, foreman) in Hakizhe village and his wood products include tables, plates, spoons, chopping boards, machete (dao) handles, spear shafts and rice pounders.

Using wood like lali poma (rosewood) and gamari (white teak), sourced locally, he creates pieces ranging from simple chopsticks sold for INR 10 to elaborate Naga wooden plates with stands priced at INR 7,000 to INR 8,000.

Shohe said that he operates independently, without sponsors or delivery services and never needed to seek bank loans to sustain his work. He sells his carvings directly from his home or at events like the Hornbill Festival and craft workshops.

He relies primarily on traditional hand tools and only recently acquired a chainsaw to help speed up the woodcutting process. But the chainsaw also has its drawbacks as it is very heavy and cumbersome, especially considering his age.

“Working with the machines make it easier but it’s tiresome and risky. Take breaks in between; it is better to take it slow instead of over-working yourself and getting hurt,” added the experienced woodcarver.

Noting that the work is labour-intensive, he recommended a balanced diet with plenty of protein-rich foods like soups, fish, and meat. But most importantly, safety is paramount, he said, while recommending wearing protective gear and working in well-ventilated areas.

He also noted the difficulty of preserving wood during the monsoon season, as the wood decays faster when it is wet.

Beyond the practical tips, Shohe shares a deeper connection to woodcarving. The intense focus it demands provides an escape from daily worries.

“While being focused on my work, I forget about my worries as I am more concerned with the right measurements and alignments for carving,” he said.

He added that age does not matter when it comes to following one’s passion, however, that does not mean one should be irresponsible towards other things in life.

While his ancestors passed down the tradition of wood carving, the craftsman expressed uncertainty about his own children carrying on the legacy, though his youngest son occasionally helps him with woodwork.

“I am lost as to whether I would like them to pursue this demanding work as their profession,” he said.

Shohe’s worries stem from the fact that the craft is demanding in nature, and carving a single piece can take up to a week. The fluctuating demand sometimes forces him to work for longer hours, as he prefers to avoid leaving projects unfinished, he shared.

Nevertheless, he expressed his willingness to guide those who are willing to learn wood carving.

“Sometimes people would come to see my work and I am always grateful for their time and admiration but deep down, I am always hoping someone would approach me to guide them,” he said.

But as time passes, he is also acutely aware that there are not many people who would pursue this ancient craft as a profession.

“It does hurt me as I realise that I might be the last one to carry on this profession that has been practiced in my family for generations. But if there is anyone out there willing to learn wood carving along with me, I am willing to guide for free,” he said.

For Shohe, it’s not just about carving wood- it’s about ensuring a vital part of Naga heritage endures.

“I hope my tools will find a new owner who values them,” he added.

(The writer is a student at Mass Communication student at Tetso College. She is currently an intern at Eastern Mirror)